Political Landscapes

Event Details
SOUTH VIETNAM. US bombardment while a wounded being carried to a medical center after the battle of An Loc. 1972.
GB. ENGLAND. Town of Newcastle on Tyne. 1978.
1985.
Serra Pelada (Hill of Gold) gold mine, proved one of the richest deposits of alluvial gold ever found and it is considered to be one of the largest in the world. It is located 270 miles south of Belem on the Amazon delta. 
Serra Pelada mine is controlled by the State which distributes the "barrancos", the small square of soil to the various owners "garimperos" (gold diggers or fortune hunters) according to their seniority. The "garimperos" are only allowed to dig vertically into the earth in order to avoid encroaching onto the other "barranco".  Whenever gold is found is putted into sacks which are supervised at the edge of the "barranco". Each worker, "mudhog", is allowed to chose a sack as a premium for his work. Then the sacks are taken to a sifting and sorting area belonging to the owner. There are over 50,000 "garimperos" with their workers who enter to the gold mine every day. The mine is only open the dry season from September through January bescause of the nature of the landscape machinery.
AUSTRIA. Otztal. Obergurgl. Gurgler Glacier. July 13th 2006.
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December 2, 2009 - February 5, 2010, London, England

Political Landscapes

Over the years Magnum Photos and it's photographers have explored the notion of landscape photography, from the 'Magnum Landscape' publication (Phaidon 1997) to more recent and personal projects by photographers such as Carl De Keyzer and Stuart Franklin.
This exhibition seeks to take the concept one step further by specifically highlighting issue-based material both from our archive and from contemporary projects. These self-contained compositions contrast with traditional journalistic narrative, yet represent the same passion for recording the political nature of our engagement with the world.

The lines between art and documentary practice both within and outside the agency are becoming increasingly blurred and landscape photography is a genre at the forefront of these changes. Today it is hard to escape the politicization of landscape imagery, most notably with regards to environmental issues, but also in theoretical terms with the recognition given to “aftermath photography” a genre of contemporary practice most commonly associated with large format images, referencing the Tableau D’Histoire tradition in painting and produced for a gallery rather than editorial context.

Included in this exploratory exhibition is new work from Carl De Keyzer's ongoing project 'Moments Before the Flood', exploring issues of both climate change and immigration in an interactive project that saw him nominated for last year’s Prix Pictet Award. Also featured is work from Stuart Franklin's acclaimed documentary project 'Footprint: Our Landscape In Flux', which looks at man’s interaction with the natural environment and the changes wrought by climate change on European landscapes.

Other works include Donovan Wylie's 'Watchtower' series, Josef Koudelka's seminal work from 'Black Triangle' and Bruno Barbey's documentation of the effects of conflict on our landscapes.

When & Where

December 2, 2009 - February 5, 2010

Wed - Fri, 11.00 - 4.30 & Sat 10.00 - 1.00

The Magnum Print Room
63 Gee Street
London EC1V 3RS
England

Phone: 0044 (0) 207 490 1771

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